Art House Productions announces Inkubator playwrights 2021-2022

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Art House Productions has announced the 2021-2022 cohort of its INKubator program. INKubator is a one-year generative process for a select group of 6 playwrights in residence at Art House Productions. This year’s playwrights are Jake Brasch, Nay Harris, Justice Hehir, Riley Elton McCarthy, Christian Mendonça and Melissa Toomey.

Playwrights will meet monthly alongside Program Director Alex Tobey to share new work, receive feedback and develop a first draft of a new play. Meetings will begin virtually, but should proceed in person when it is safe to do so. In the spring, each writer will team up with a director and actors to present a public reading in May as part of the 4th annual INKubator New Play festival. Audiences attending the festival will also have the opportunity to participate in conversations with screenwriters, directors and actors after each performance.

In addition to the monthly meetings, INKubator playwrights will receive free entry to performances, mixers and other events at Art House Productions. Playwrights will also have the flexibility to schedule time in both the theater and the classroom for all meetings, rehearsals and readings as needed free of charge.

This year, more than 100 submissions were received, more than double the number of the previous year. Submissions were evaluated through a process coordinated by INKubator Program Director Alex Tobey, in partnership with former playwrights Alyssa Haddad and SMJ of INKubator, and Meredith Burns and Courtney Little of Art House Productions.

The following finalists were also honored during this year’s submission process: Jacqueline Bircher, Cris Eli Blak, Larissa Marten, Genevieve Simon and Gage Tarlton.

Meredith Burns, Executive Artistic Director of Art House Productions, said: “We are delighted to welcome this year’s INKubator cohort to the Art House family. INKubator is a long-standing Art House program that has grown significantly over the past four years under the direction of Alex Tobey. We are so honored and proud of the work that has already been created in INKubator, and this year’s cohort has put on some amazing pieces to start writing. We look forward to supporting these fabulous artists over the next 9 months and beyond. “

INKubator editors 2021-2022

Jake Brasch (he / they) is a fanciful gay Jewish clown based in Brooklyn, Colorado who writes for both stage and screen. Proud Youngblood member of Ensemble Studio Theater, Farm Theater Development Workshop and LAByrinth 2020 Intensive Ensemble. They have worked for The New Ohio, The Ensemble Studio Theater, The Farm Theater, Letter of Marque, Eden Theater Company, The LAByrinth Theater Company, The Tank, Dixon Place, Curious Theater Company, Austin Peay University, Pellissippi State, DSA at Edinburgh Fringe, The 14th St Y, Planet Connections and NYU-Tisch. He is currently a sub-committee of the EST / Sloan project and the Farm Theater’s College Collaborative Project. Jake has written music and lyrics for several movies, plays, and podcasts. Jake has long spent his weekends working as a birthday party clown in the tri-state area and is currently developing Clowntown, a series based on his work as a clown. Complete pieces include Our Tempest (The Farm Theater, Pellissippi State, Austin Peay), The Reservoir (Ensemble Studio Theater), stacey (Ensemble Studio Theater), Salutations, I’m Creative Dave (Alchemical), Wall! (DSA at the Edinburgh Fringe) and Greenland. BFA: NYU-Tisch, Experimental Theater Wing / New Studio on Broadway. www.jakebrasch.com @jakebrasch

Nay Harris is a graduate of Bard College, Simon’s Rock (major: African American Studies and Theater for Social Change – a self-constructed major combining sociology and theater). They are also an alumnus of the National Institute of Theater and Advanced Writing at the Eugene O’Neill Theater Center, as well as an aspiring professional domineering. They have long been a poet and now playwright, lyricist and librettist. One of their main goals as a writer is to further reduce the stigma and stereotypes about mental illness in the black community and to raise awareness and create better access to mental health resources, especially for black youth. and other LGBTQ + people of color, as well as to increase media representation. Black Queer and Nonbinary love and joy. They are also an advocate for the safety of sex workers, especially within the BDSM community, and are currently writing a musical (Club Leather Queen) about professional queer and colored dominatrixes. They took a 102 drama writing course at the New York Theater Workshop with renowned instructor and playwright Kate Moira Ryan. Their works include Wounded Skyes, Glitter Bracelets, Take a Number and Wait, When I Grow Up I Wanna Be …, and All the Conversations You Wish You Had But Never Had and The Role. Nay is a member of the Miranda family, recently completed the Black Girl Theater Magic Musical Theater Anatomy Class, and is currently participating in NYU’s Graduate Musical Theater Writing Program as a Person of Words. @Candymansbabyspawn

Justice Hehir is a playwright whose work explores sexuality, feminism, the formation and severing of human bonds. She is a member of Youngblood at EST, an artist affiliated with New Georges, and recipient of a 2021 Individual Artist Fellowship from the Mid Atlantic Arts Foundation. She is currently commissioned by George Street Playhouse, a 2020 Clubbed Thumb Early Career Writers Group alumnus and member of Colt Heart. Other recent projects include True Croyant, released this year by Table Work Press, and freeplay, a play about a female-owned dildo business being developed through a commission from the EST / Sloan project. . She graduated from Hunter College in 2018 with an MA in Dramatic Writing (under Annie Baker and Branden Jacobs-Jenkins) and Rutgers University in 2016 with a BA in Women and Gender Studies and English. . www.justicehehir.com @justice_hehir

Christian Mendonça is a first generation Portuguese-American playwright. He received his BFA in Dramatic Writing from New York University, where his bilingual (Portuguese and English) thesis piece, American Quality, won second place in the Goldberg Play Prize in 2018. In 2020, she will become a half -finalist in “You Should be Writing Play Competition (Male Lead)” by Southwest Theater Productions. That same year, he was also the recipient of a partial scholarship at the International Literary Program Disquiet 2020 in Lisbon (canceled due to the pandemic). Come Flores, her second play, has been invited to the Dennis and Victoria Ross Foundation Roundtable Reading Series. Filomene, his third play, was a semi-finalist at the Landing Theater Company’s “New American Voices Festival” in 2020. He grew up in Newark, New Jersey, and now rides the Hudson River. @christianluismendonca @CL_Mendonca

Riley Elton McCarthy (they / them) is a New York City non-binary playwright, performer, producer, screenwriter and jack-of-all-trades. Residences include CPH HOTMeat, Elephant Room Productions EERS, Scawwy Howwow Theater Works-in-Progress, and The Bechdel Group Readings Series. They are members of the INKubator game writing group of 2021-22 Art House Productions. Their work has subsequently been presented at Tank, CPH Queer Theater Festival, Bøssehuset, Folketeatret, Kulturhuset Indre By, House of International Theater, Student Theater at Marymount, Marymount Manhattan College and Hudson Guild Theater. Their writing includes the feature films The Lesbian Play, Ivories, and Southern Bedfellows, and in one act (it’s the) industry, baby or the death of a supernova, and a peach grows in Brooklyn. They are proud to be members of the Dramatists Guild. BA: Marymount Manhattan College. www.rileymmccarthy.com @rileyeltonmccarthy

Melissa Toomey is an adventurer, entertainer and playwright. After roaming the West for several years, she is currently based in NJ / NYC. She has worked with Luna Stage Company, The Writers Theater of New Jersey, Premiere Stages, Arizona Theater Company, McCarter Theater Center, The Shakespeare Theater of New Jersey, The Pearl Theater Company, The Barrow Group, Southwest Shakespeare Company, New Jersey Play Lab , Flagstaff Shakespeare Festival, among other companies as a theater artist. She creates open-air theater whenever possible, most recently with her group Theater Leaves No Trace (www.leavenotraceheatre.org). Her supernatural piece, The Devil Smokes American Spirits: A Ten Cigarette Piece, will be developed at The Tank, fall 2021. She was once a full-time traveler. She once lived at the Grand Canyon. BFA: SUNY Purchase. Melissa is a neurodivergent artist. www.melissatoomey.com


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